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Tribune News Network
Doha
The seventh Ajyal Film Festival hosted two acclaimed directors associated with 1982 and Give Me Liberty, offering a powerful platform to diverse stories inspired by real-life events from all corners of the world.
DFI-grant recipient 1982 (Lebanon, USA, Norway, Qatar/2019) by Oualid Mouaness tells the story of 11-year-old Wissam and his struggle to confess his true feelings to his classmate as the air invasions close onto Lebanon.
The film won the NETPAC Award for World or International Asian Film Premiere at the Toronto International Film Festival 2019.
Speaking about his latest feature film, Lebanese-American writer and director Mouaness said, “I chose to tell the story of a boyhood crush set in Lebanon of 1982 to bring audiences closer to a moment in time that has defined the country’s history for decades to come.
“Being able to showcase my work at an amazing festival such as Ajyal will introduce a new set of curious minds to the stories of our past and raise awareness on how the culture of our region has been shaped through history.”
He has previously directed several short films, including ‘The Rifle, the Jackal, the Wolf and the Boy’, which was shortlisted for an Academy Award.
A comical and endearing portrait of American dreams and disenchantment, Give Me Liberty (USA/2019) by Kirill Mikhanovsky follows the story of medical transport driver Vic’s eventful journey to deliver his grandfather and a dozen elderly Russians to a funeral.
The film is inspired by Mikhanovsky’s personal experiences as a Russian medical transport driver in America.
Mikhanovsky is a Russian-born writer and director, whose latest title earned him the Golden Strands Award for Outstanding Ensemble Cast at the Tallgrass International Film Festival 2019.
He touched on the significance of a filmmaker’s body of creative work.
He said, “Prior to my work on Give Me Liberty, I was engaged in several short films and TV productions, each of which shaped by directorial experiences, as per the Russian saying ‘You can’t throw words out of a song’.”
Doha
The seventh Ajyal Film Festival hosted two acclaimed directors associated with 1982 and Give Me Liberty, offering a powerful platform to diverse stories inspired by real-life events from all corners of the world.
DFI-grant recipient 1982 (Lebanon, USA, Norway, Qatar/2019) by Oualid Mouaness tells the story of 11-year-old Wissam and his struggle to confess his true feelings to his classmate as the air invasions close onto Lebanon.
The film won the NETPAC Award for World or International Asian Film Premiere at the Toronto International Film Festival 2019.
Speaking about his latest feature film, Lebanese-American writer and director Mouaness said, “I chose to tell the story of a boyhood crush set in Lebanon of 1982 to bring audiences closer to a moment in time that has defined the country’s history for decades to come.
“Being able to showcase my work at an amazing festival such as Ajyal will introduce a new set of curious minds to the stories of our past and raise awareness on how the culture of our region has been shaped through history.”
He has previously directed several short films, including ‘The Rifle, the Jackal, the Wolf and the Boy’, which was shortlisted for an Academy Award.
A comical and endearing portrait of American dreams and disenchantment, Give Me Liberty (USA/2019) by Kirill Mikhanovsky follows the story of medical transport driver Vic’s eventful journey to deliver his grandfather and a dozen elderly Russians to a funeral.
The film is inspired by Mikhanovsky’s personal experiences as a Russian medical transport driver in America.
Mikhanovsky is a Russian-born writer and director, whose latest title earned him the Golden Strands Award for Outstanding Ensemble Cast at the Tallgrass International Film Festival 2019.
He touched on the significance of a filmmaker’s body of creative work.
He said, “Prior to my work on Give Me Liberty, I was engaged in several short films and TV productions, each of which shaped by directorial experiences, as per the Russian saying ‘You can’t throw words out of a song’.”
